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Stop Motion Original Mix. Frivolous , Reboot. Robag Wruhme. Pampa Records.

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Eats Everything. The album is a compilation of tracks, picked from among many works he has created over the last 15 months at his Hannover studio and various spaces and places worldwide.

Buttrich has spent recent years developing a sound that appeals to both sides of the brain: having dropped records on labels such as Planet E, Four:Twenty, Cocoon, Poker Flat and Desolat that encompass the entire spectrum between dreaminess, intuition, warmth, melancholy, and highly calibrated dancefloor precision. Meanwhile his catalogue stretches round some of the most influential dance tracks heard around the globe since Crash Test is a long player, a four to the floor album that can be listened to from start to finish; an organic sequence of shifting moods to sublimate existing minimal house or techno paradigms.

The LP is shaded with bass weight: a reflective, meandering interpretation of the grooves that have always inspired Buttrich: echoes of hip hop, jazz, reggae and soul. Emotive tangents hover, punctuated with found sounds and textures recorded in public spaces. This album is intended as an expression of a certain time and space: a collection of tracks that could only have been woven together at this turbulent point in history. The album contains more acoustic and analog instruments than Martin Buttrich usually uses, and attempts to bridge a gap between imagined and audible worlds. A bridge from the cosy confines of a studio to the outer spaces, in which each tune is recontextualised.

Blackouts Non-Stop Original Mix. Stop Motion Original Mix. Frivolous , Reboot.


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The album is a compilation of tracks, picked from among many works he has created over the last 15 months at his Hannover studio and various spaces and places worldwide. Buttrich has spent recent years developing a sound that appeals to both sides of the brain: having dropped records on labels such as Planet E, Four:Twenty, Cocoon, Poker Flat and Desolat that encompass the entire spectrum between dreaminess, intuition, warmth, melancholy, and highly calibrated dancefloor precision.

Meanwhile his catalogue stretches round some of the most influential dance tracks heard around the globe since Crash Test is a long player, a four to the floor album that can be listened to from start to finish; an organic sequence of shifting moods to sublimate existing minimal house or techno paradigms. The LP is shaded with bass weight: a reflective, meandering interpretation of the grooves that have always inspired Buttrich: echoes of hip hop, jazz, reggae and soul.

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Emotive tangents hover, punctuated with found sounds and textures recorded in public spaces. This album is intended as an expression of a certain time and space: a collection of tracks that could only have been woven together at this turbulent point in history.

The album contains more acoustic and analog instruments than Martin Buttrich usually uses, and attempts to bridge a gap between imagined and audible worlds.